Phoenix put on a hell of a penultimate show in Orlando the other night. Although they did not stray far from setlists I viewed, they were able to really amp up their sentimental indie rock for the live setting. The performance was loud and bright with a pulsing light show. The band was tight and displayed some jam prowess by extending some songs, adding nifty build-ups or interludes to others, while others got grandiose intros or reworked altogether (See “If I Ever Feel Better” metal version). There is a lot of music these days, but not many bands take the time to really expand on themes and play with their songs (especially indie) in concert. I’m not talking endless noodling, but having the chops and originality to give you something extra in person.

Singer, Thomas Mars, among the great unwashed
The guys were charming and fun and brought along a powerful drummer to step it up a notch. I’ve noticed several bands this month realize the impact of a good drummer by bringing in true ringers to lay down the backbone. The guy appeared to be middle eastern which is cool to see a guy like that rocking out instead of bashing a school girl with a rock. OOOOooooooh damn! Snap! That’s awful. Seriously though, French band, middle eastern (Maybe Indian – I should do my homework) powerhouse on the drums, and an American audience in the palm of their hands; Who needs the UN when you have rock n’ roll?







Rob Garza



I absolutely adored “Time to Pretend” off their first album, but as other songs from Oracular Spectacular were released MGMT came off sort of flat to me. That, coupled with reports of their live performances being somewhat lacking or flat made me lose interest as well. Apparently they have juiced up the live show and added some key musicians to help the duo expand on their sound. Their latest album, Congratulations, is more complete and seems to have drawn a lot of inspiration from 



Caribou is bringing his darkly danceable brand of indie-electronica to town this evening at 


Another promising show in Orlando at 