Sep 092010
 

kisses-and-noise_album-review_chelsea-tkSan Francisco based artist, Chelsea TK, has her first official full-length release in Terra Attero. It is a boisterous and swirling amalgamation of style and soul infused with layers of instrumental loops, driving drum work, clever electronic bits, and Chelsea’s expansive, entrancing vocals.

TK glides from soul diva to alt rocker from track to track and sometimes within the same song. “No Man’s Land” opens with a simple guitar intro – almost like a “Cat Scratch Fever” on qualudes  - followed quickly by her vocals singing over layers of her own soulful backing tracks. The acute groove is accompanied by gliding organ strokes in the verses, while the bridge builds mightily to the chorus, creating a great sense of build and release.

“Exciter” fights with “No Man’s Land” for strongest single in the collection. “Exciter” (Not to be confused with the KISS song of the same title) combines the same intense drum work and the weaving rhythm guitar present on nearly all the tracks while adding precise, big sounding horn lines and trippy electronic interludes.

This album is mostly the work of Chelsea and producer / drummer Rick Perez. Chelsea is currently gigging with a complete band, The Tzigane Society (Ugh, a silent “T” and a “z”!) that is sure to invigorate the textured layers of looped instruments found here – breathing even more life while adding some edge to the presentation.

Terra has touches of neo-soul and indie rock peppered with electronica and world music, with dashes of jazz and 60’s psychedelic beat poetry (especially on “Your Voodoo”) and a twist of 80’s goth sexuality – like the slinky sensuality of “Tender Call.” Efforts to label Chelsea’s work and draw comparisons has me chasing names like Florence and the Machine, Beth Orton, and late Radiohead, but not finding an exact fit, asserting the notion that something very original is unveiling itself on Terra Attero.

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Learn more about Chelsea TK and The Tzigane Society’s music

Sep 032010
 

The earlier album review noted that this song is like Blondie meets Siouxsie Sioux and now I’d like to throw a dash of Bjork in there. It’s the driving disco bass drum mixed with the goth-y synth and the pixie-ish vocals that conjure the comparisons. “Sprawl II” could be my favorite song on The Suburbs, but I do know it’s a hell of a Friday song.

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The Canadian Army is lookin' a little raggedy

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Aug 202010
 

The Buzzcocks_kisses and noise_orlando music blogOne of my favorite Buzzcocks’ songs isn’t really the hard-charging punk they’re known for. “Why Can’t I Touch It?” Is like The Ramones or The Clash gothed up by The Cure and funked out by a touch of the Chili Peppers. This song was a bonus on their third album, A Different Kind of Tension and although pop-y, it showcases strong songwriting and rhythm chops.

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Jul 282010
 
Sigfried and Roy are shittin' rainbows!

Siegfried and Roy are shittin' rainbows!

This song is a little old, but caught my attention on Satellite radio, then I forgot it. More recently it popped up in the film Cyrus. Australian duo Empire of the Sun’s track, “Walking on a Dream” is kind of chill wave-y and reminds me a little of Steely Dan and “Caribbean Queen” by Billy Ocean for some reason. Thoughts?

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Jul 172010
 

The 5th song of 44 from the monumental Teargarden by Kaleidyscope is out. The last 4 were captured in the EP Songs for a Sailor and “Freak” marks the Smashing Pumpkins_Billy Corgan_kissesandnoisecombeginning of the next EP, The Solstice Bare. “Freak” sees Billy returning to form; innovative guitar, poignant lyrics wrapped up in a grinding, yet catchy rocker complete with a scathing socio-political vantage. The opening line is particularly incisive considering the recent trouble in the Gulf, a place where Mr. Corgan has family and musical ties.

The mighty SP is currently on an intimate club tour that is receiving positive reviews despite even more change within the band. New drummer Mike Byrne is filling the enormous shoes of Jimmy Chamberlin nicely and bassist Nicole Fiorentino replaces new mother Ginger Reyes. Billy is so happy with the energy and attitude of this new line-up that he held up the search for a new keyboard player in order to rock out with a lean, mean four piece. Since the band’s return in 2007 they were the subject of controversy and anger. Billy insists on surging forward with new music while most fans want nostalgia shows. On top of that, their live shows have been 2.5 to 3 .5 hour prog-metal face melters which further alienated some attendees. Personally, I thought it was completely rad.

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The new band is playing a wide range of the Pumpkins spectrum from Gish to this song, “Freak” in raw, succinct shows just under 2 hours and are treating fans to intimate soundcheck concerts during the day consisting of unreleased music. Bill Corgan and friends will be at the House of Blues in Orlando on Monday July 19 and The Ritz in Ybor on Wednesday. If you are discounting them, you better not. Here’s some live footage to psych you up.

“Tristessa” from Record Store Day at Amoeba Records in L.A

“As Rome Burns” from The Viper Room – Tour kickoff

“Owata”

“Make it Happen” from the special pre-concert soundcheck concerts on this tour.

Jun 222010
 
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Look at them in their little sweaters!

I’ve opined about the conflagration of indie / alternative duos so I will digress in expounding on Phantogram’s musical configuration. “Mouthful of Diamonds” is the first song I’ve heard from this Saratoga Springs group. It is a dark, lush, almost symphonic pop song that lingers in me brain. Not since Ice Cube on N.W.A’s “Dopeman” has the lyrics “Getting high on your own supply” sounded so poignant.

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May 172010
 
Groove it daddy-o, to this far-out retro treat

Groove it daddy-o, to this far-out retro treat

I don’t know much about this band other than one of the guys on SIRIUS XMU’s Blog Radio started a record label (a dubious undertaking these days) and Cults is one of the bands – another indie duo actually. If you pop their name in a search engine, you better add “the band” or “music” or you will find everything except this group. This song is infectious and bubblegum at the surface, but a deeper listen reveals the song is sort of the musical interpretation of a desperate plea for a friend to end their depression.

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Download their 7″ for FREE

May 042010
 
neon-indian-kissesandnoise.com

Aw man, my favorite mixtape!

You may ask yourself, “Where is that large automobile?” No, really – you may ask yourself, “What the fuck is chill wave?” Well some may call it a breakthrough new trend in the world of rock music while I would call it a nifty sub-genre of a sub-genre (Rock>Alt Rock>Indie Rock>Chill Wave). Either way, there are some interesting artists putting out interesting iterations of pop music, like Toro y Moi, Washed Out, Ariel Pink’s Haunted Grafitti, and Neon Indian. While I don’t think this is groundbreaking shit here, it deserves some attention. This is “Terminally Chill” from Neon Indian and I like it because there is good pop song – one that sounds strikingly like Steely Dan (maybe I’m crazy) – underneath muffled waves of synth and production. It almost continues the vibe that indie delivers – I’m too cool to write a straight-up pop song. Whatev.

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Apr 202010
 

the-big-pink-velvet-kissesandnoise.comWhen The Big Pink debuted last year I would have said please gouge my eye with a tainted pickle fork if I have to hear another indie pop duo. You got the White Stripes and Black Keys on the garage rock side to a slew of bands on the indie side like The Sounds, The Kills, MGMT, Crystal Castles, Sleigh Bells, and on and on. England’s The Big Pink seem to do the electro duo genre justice – able to create large, lush sounds in layers with instrumentation and massive amounts of synth.

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